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For the songs where I wanted to evolve and make progress, I intentionally incorporated phrases that would be a little off or had a gimmick taste. Kanami (guitar): For the songs looking back to our roots, I had in mind riffs and phrases that would simply convey the sound of hard rock.
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Since you write much of the group’s music, were you looking to showcase your playing in a different way on this album? If anything, it seems more “symphonic” to me. Kanami, your guitar playing is consistently inventive and continues to evolve both technically and in its expressive power. BAND-MAID really enjoys spending days and hours with the engineers to generate what we want, to create the music we want, so we can come up with something satisfying. We strive to create the best sound source possible at that time with the staff members, including the engineers. Saiki (vocals): From the production perspective, BAND-MAID basically decides all principal items, but that does not mean that we don’t listen to anyone else’s opinion. Are you basically producing your own recordings, or do you get input from your wider team?
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It’s sometimes hard for those outside Japan to understand the role of the producer for Japanese artists. I composed this with OKYU-JI (live concerts) in mind, so I intentionally added the bass solo.Īt this point, you’re recording veterans. I suggested the structure of this song to Kanami, and Kanami arranged the song accordingly. The band is often praised for the way you let every member take a turn in the spotlight. Many of the songs on this album developed in a new way and showed a different aspect from before, so I tried to make the lyrics tell a story and composed “Giovanni” and “No God.” Also, I used a Russian spell for the chorus of “H-G-K” and wrote about black holes for the strongly chaotic “Black Hole.” This album contains stronger songs as a whole, but each song provides a different atmosphere and color, so I focused on the good characteristic differences of the songs and incorporated them in the lyrics.Ī song like “No God” seems like the quintessential BAND-MAID tune, as it has a bit of everything: melodic-yet-complicated verses and catchy choruses, a bass solo from Misa and a slower interlude with heartfelt and very pretty singing. Since the theme of “Manners” was “the current us: BAND-MAID” and Unseen World, I tried to convey a very progressive and straight perspective. I listen to the song and decide the theme from the image of the music and then write the lyrics. I rarely write the lyrics based mainly on my own experience or emotions. Miku (guitar/vocals): The music preceded the lyrics for this album, which is how we usually compose our songs.
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Some, like “Chemical Reaction,” seem to be relationship songs, but others seem to be about staying true to one’s self. Please talk a little about the themes on this record and what you ’re trying to express. I hear some of that self-confidence in the lyrics of “Manners” and also in the complexity of the songs. The band has never been shy about its ambitions both musically and in trying to gain new audiences. The songs on Unseen World are even harder-edged and more aggressive than the ones on (2019 ’s) Conqueror and (2018 ’s) World Domination. MAGNET spoke with BAND-MAID about the new album, playing live and Russian spells.
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Tokyo time) that can be streamed live or watched as an archive until February 18. (In addition to its three previous LPs, the group also has three mini-albums.) BAND-MAID’s February 11 Budokan concert was cancelled due to COVID, but the fivesome will play an online show on that date (5 p.m. Just check out BAND-MAID’s brand-new fourth album, Unseen World. Taking their aesthetic cues from their country’s maid-cafe scene, these five women deliver ridiculously catchy hard rock. The best rock ‘n’ roll bands combine inventive songwriting, skillful playing and the understanding that, above all, rock ‘n’ roll should be fun! Based on that, Japanese quintet BAND-MAID ought to be your new favorite group.